Saturday, May 14, 2011

more peter callesen






Jukebox

Four hours performance/installation at the opening of The Last Show on Earth,
10th December 1999, London.

"At the opening of a show in a cold and damp basement I made very simple performance with me, my voice and a cardboard jukebox.
I were sitting in the jukebox, only with my head sticking up from the box. People had to put in 10 pence, press a button for the song they wanted to hear, and I would sing it for them. The eight buttons were for English nursery rhymes, one for a Danish children song, and the last button was for random/surprise.

It was interesting to watch how people entered the room. If they were alone, they often got a little scared, and didn't quite know if to relate to me as an object or as a person. Some then got embarrassed and left, while others got curious and got closer. I didn't speak to anyone. The only interaction I had with the audience, was when they chose a song, and I then sang it for them. In order to choose a song, they would have to be a part of the game by pressing one of the imaginary buttons, which I had painted on the box.

Most of the songs were sad or quite cruel song, which ,together with the fantastic acoustics in the basement, created a kind of sad atmosphere in the room. At the same time the situation was funny and absurd, and became almost tragicomic. During the night I began to lose my voice, and I obviously got more and more tired. This added another element to the installation; to a certain degree people would have to let me suffer in order be entertained."

taken from his site

i think this is cute :D
haha. imagine doing it in school :D

Tuesday, May 10, 2011

peter callesen






he is simply amazing

i really love how he plays around with positive negative space
how the subject and its "shadow" is linked
like living VS dead
hee hee. im in love with his works

i dont think i'll be able to do 3D stuff like him
cause it requires some origami knowledge
which i have none
oh well

for more : http://www.petercallesen.com/text/text.html
http://www.petercallesen.com/index/index2.html

Monday, May 9, 2011

Artists have a social responsibility to uphold.

First and foremost, what is social responsibility? I feel that it is duty of one to either benefit the society or simply avoid harmful acts.

I believe that art is a way of speaking without words. It is the way of communicating for some people, as perhaps, words are not their thing. So I was thinking, since people should be responsible of what they say, so how different is it from speaking through art?

Regarding whether or not artists have a social responsibility to uphold, I feel that it sometimes depends on what type of art they create: private or public.

For public art, the artists definitely need to have social responsibility as the art is placed in the public where anyone and everyone can see and comment. The impact is great as it is readily available to all to experience at anytime and no one can control the audience of the artwork. The artist, when creating the artwork, would have to realize that people of all ages, races, culture would view the work, and hence, the artwork must not be offensive to anyone. The artist has to ensure that the artwork is pleasing to the eye and no one feels uncomfortable viewing it. The fact that the art is placed in the public, the public is indirectly “forced” to view the works. Hence the artwork should not touch on sensitive issues such as religion, gender, race, etc. If these artworks do touch on these issues, they are often abstract, so abstract that the public have no idea what it is about, so as to prevent any public outrage.

Many artists create art as they have things to say about life and yet there are unable to voice it out. An example would be Lucia Hartini works, like “spying eyes”. Due to the society she was in, she was unable to express her thoughts and feeling too directly and hence had to use symbols in her art.



However, I feel that for private art, the artists should be allowed to express their emotions or what they think is right via their artworks. There should not be any restriction to what one wants to create and feel like creating. If the artist created an artwork which touches on sensitive issues, but he or she just keeps it at home, what social responsibility does he or she have to uphold? If not kept at home, private art are placed in galleries or museums, usually seen by people who willingly and voluntarily go and see the art purposefully. These artworks may not always be pretty, some are offensive and provocative. In a way, these people are “prepared to be offended”. I think that a “good” art may not be a “pretty” art; instead, it should be able to express the artist ideas and feelings to the viewer clearly and I believe that people who steps into an art museum should be mentally prepared to be “provoked by the art”.



For example, Marcel Duchamp shocked the public with his work fountain (1917), which is basically just a urinal. He challenged the definition of art and some viewed his work as absolutely absurd. However, in his eyes, that urinal is a piece of art as he himself chose it. He expressed his own definition of art via that urinal and it resulted in a huge uproar. People now have gradually gotten used to this work, or have they?

As I looked through the numerous artworks which people named as “offensive”, I was thinking, who are they to decide whether or not the art is offensive? Perhaps, it is the society itself which has a responsibility to uphold. Everyone feels differently towards what is hateful, unethical or not morally upright, so the “offensive art” actually shows a society’s thinking and perspective. Perhaps, it is not the wrong of the art, but how the person actually views the work?

I feel that some artists are just looking for trouble in a way that they touched on very sensitive issues like religion, mutating the forms of the gods, depicting them in provocative ways. Some examples found here: http://www.thesharkguys.com/lists/top-10-offensive-religious-art-pieces-part-one/
Perhaps the artists did them on purpose, but I do think they are slightly overboard. But then again, that is my own point of view.

Tuesday, May 3, 2011

this is really cool

his works sort of reminds me of han sai por
doesn't it?
smooth smooth surface
random shapes that makes no sense
hee hee
enjoy